Monday, January 03, 2005

Whitney Typography

While visiting the Whitney Museum of American Art in New York City this past week, I immediately noticed that all signage and type was in the same face: the new sans from Tobias Frere-Jones named Whitney. And then I suddenly realized why the typeface from Frere-Jones was named Whitney, cause, duh, it was for the Whitney.

The coolest thing I saw at the Whitney was George Wesley Bellows' Dempsey vs. Firpo painting, one that I had to study in high school art classes for it's triangular symmetry. I walked up the stairs and the painting was just sitting there and I was so excited I couldn't really get the words out — seeing something in person I read so much about when I was younger really made the trip worthwhile.

Tuesday, October 19, 2004

The Car Blog: Launch and Design

The Car Blog is a go! TCB (The Car Blog) is a blend between a car forum, a weblog, and an online magazine, and is a place for car people to go and vent or rant about the world of automobiles. I did a better job of explaining the site on the About page, so go check that out if you want more. This blog entry isn't about explaining what TCB is, it's about giving you the nitty-gritty about the design decisions I made, why it looks the way it does, and the CSS ballyhoo and tomfoolery that powers the visuals. So let's get into it!

Beginning Design Thoughts

Successful car site design incorporates heavy imagery and a deep sense of visual amazement, because when it comes down to it, we like to buy and look at cars that we think look good and car websites are the same way. When I started out sketching initial concepts for TCB, I knew that we needed a solid header graphic that incorporated big-time car imagery for some off-the-bat visual punch. I went over to my favorite photo resource, stock.xchng, and found this gorgeous photo of a Ferrari 360 Modena against a blue sky. After some Photoshop color-shifting and slicing, I achieved an effect that I think lures your eyes down the page more because of the slicing's vertical orientation.

The typography choice for the logotype is DIN, even though I was originally considering Interstate. Both typefaces are examples of auto-specific fonts, where in the U.S., Interstate (or an identical twin) is used on all interstate highway signs. Just look up at the green rounded rectangles next time you're driving, and you'll noticed the slanted ascender tops which are its dead giveaway. I ended up choosing DIN because it is the German equivalent of Interstate, and I love German cars. DIN is one of the most recognizable sans-serif typefaces out today, and if you just look around a little bit, it'll pop right out at you. Oh, and the B-Logs font is Myriad Pro, but you already knew that ;)

Advertising Design

I've never been fully in control of a website that has advertising on it before, so I was really excited to make the ads on TCB not as ugly as other ads on the web. Coudal and John Gruber have done a fantastic job deploying text-only advertisements on their pages that are integrated into the design, and I went to school on their examples in order to make the TCB ads work as well.

We have three different ad placements on TCB, and each one has their own design style and physical area on the page. The "Premier Ad" is underneath the Leading Article area on the homepage (as well on top of the content in the individual entry pages) so because of its placement, it needed to be tightly integrated with other elements on the page so I wouldn't throw-up when looking at it over and over. I reused the blue from the header graphic and navigation to get the color scheme for the Premier Advert box, and then kept the rounded-box metaphor going as well. The top part of the div was done using a background image (nothing fancy), and I used a superfluous display: block'd span element underneath it to round the bottom as well.

The advertisement at the top of the Shortlinks box needed to 1) not look like an "ad", and 2) blend into the style of other shortlinks. What I did was simply use the same style as other ones (except not in an unordered list, and no light grey background) and add a background image on the bottom that alerted users that it was an advertisement in the same manner as the Premier Ad on the left. If your gamma is correctly adjusted, the background of the rounded "ADVERTISEMENT" rectangle should match the lighter grey underneath other entries over there.

And then underneath the Shortlinks box we have our third category of ads — the least intrusive, and also the least "styled". I made these simple because once your eyes get to the section of the page where those ads would be, you're most likely reading the main page content and I didn't want to force a visual saccade over there which would throw your reading off. These don't have rounded edges like everything else, or do they? And this brings us to our next section.

CSS Tomfoolery

When we were talking about the design of this site way back in the summer, we decided the baseline browser would be IE6, which makes development a whole lot easier. The cool thing, also, about developing for high-level browsers is that we can do things with the CSS that we normally wouldn't think of. Some of that stuff included Mozilla- and Safari-specific styles to spice it up a bit.

-moz-border-radius — A Mozilla-specific style that rounds the corners of a block-level element. It was used in those instances where I felt multiple divs just to accomplish a rounded corner effect wasn't necessary (like the light-grey shortlinks entries, as well as the advertisements underneath the shortlinks). Also, enough people are out there using Firefox so I thought a nice segment of the population would benefit from such stylings. And if you're like me, and use Safari instead of Firefox...

text-shadow — This effect was implemented in the latest version of Safari (Jaguar users, I think you're out of luck) and it looks wicked cool. I actually use this effect extensively on the homepage: the current navigation tab text, the leading article title, the leading article subtitle and category, the author/comment count div, the sidebar links, and also in the footer. So if you're using Safari, you get an extra treat that others don't :)

The navigation of the site uses an inverted tab style that I've used in the past, and thought it would work well here too. Sliding doors are in effect, however I've been using that technique since before Doug gave it a name :) Some really intricate-looking design effects were achieved quite simply by using background images. For an example, the navigation tabs appear to overlap the underlying color, but that entire unordered list just uses this background image to make it appear complicated. Also, to make the Shortlinks header appear to be offset from the Leading Article header, I just stuck that image in the navigation's background as well. Boom! Effect achieved with no CSS headaches.

Even though in the header you can click on both the TCB and Business Logs logos, the top header graphic is all one image. In an effect similar to the old imagemap idea, there are two divs up there with transparent backgrounds that "cover up" where the clickable areas appear to be. You can see this for yourself if you hover about 20px left of the left edge of the B-Logs logo ..... it's still clickable.

Final Thoughts

This wasn't the most complicated CSS design I've worked on (the gov't work I did was, go figure) but it's the design I'm most proud of. My test for a website is if I get sick of the design before I even launch it, but for this one, I was excited to show off my work and see what people thought and haven't gotten sick of it yet :) This site is also really rewarding for me because our writers are very influential people in the design community (Jason Fried, Carlos Segura, Didier Hilhorst, to name a few) and working with them on a project was really great.

This site wouldn't look like it does now without the help of my usual beta testing and feedback team: Paul, Matto, Nigel, Mike, and Alex. Thanks guys.

And that's it. What do you guys think? What would you change? Any bugs? Let's hear it, good or bad.

For the Windows users in my audience, here is a screenshot of what the site looks like with Safari-rendered text-shadowing. Makes you want to buy a Mac, eh? :)

Wednesday, May 26, 2004

Simplicity + Beauty

Without sounding like the dogmatic regurgitators abound in some corners of the web design community, I'd like to throw some people over to the "real-time" undesign of Doug Bowman. He's done the unthinkable, he's redesigned his website by removing the design.

As JF always says, "there is something inherently beautiful about simplicity in design" (paraphrased, ofcourse) and I think Doug has always thought that way too. In a week where others are adding colors and styles, Doug wanted to keep it simple stupid.

Without taking too much away from Doug's writeup about this redesign, I want to let readers quickly know that he removed the stylesheet from his website, started fresh, and in a few hours redesigned his entire website with a crisp, fresh aesthetic.

No extraneous elements. No superfluous markup. Just usable design.

Monday, May 10, 2004

Happy Redesign Day

As if Mondays aren't by definition eventful enough, three influential organizations launched their new sites today: Blogger, MP3.com, and Dave Shea's web design company Bright Creative. Following Paul's writeup on the differences between TypePad & Blogger, I feel as though I owe it to myself to write down what I think of these three extremely different sites.

Blogger: A web designer's paradise

Doug Bowman teamed up with the moneymakers over at Adaptive Path to launch the redesigned (and Google-powered) Blogger. Doug talks about some nifty VIP stuff regarding how the design came about and design process involved — and to be honest, it doesn't matter. The site is hot no matter what anyone says of it, or who put it together.

I love it because it just spews out the brand image right into your face. It's big, chunky, fun, creative, young, and a whole lot of other buzzwords all rolled into one web application. The redesigned logo must have stirred Doug's creative juices, because a site this thoroughly enjoyable definitely must have been great fun to create. Crazy good job man.

MP3.com: Average at best

So MP3.com launched today without much fanfare. The only reason I even saw it is because Doug linked to it from his weblog. It's black, it's grey, it's got pixel fonts, and stuff isn't kerned well. mp3Look at the picture in the top right corner of the site (copied here) — I know pixel fonts are tough to kern through Photoshop, but get in there with a 2600% zoom and clean up those gaps!

He uses web standards, so they get slight props for that, but in this day and age redesigns don't get noticed unless they're standards-compliant anyway. On inner pages, he uses an incorrect Sliding Doors implementation and leaves a noticeable gap between the tabs and the bottom-border in Safari (and Firefox, IE5, etc.). I know this is a beta version, and stuff is bound to be goofed-up, but c'mon. Most designers use Macs, and if your site doesn't look good in any Mac browser, expect to hear some grumbling.

Bright Creative: Is it red enough for you?

Dave Shea quietly launched his design studio today, but as soon as you open up Bright Creative you don't think much about it is quiet. Maybe that was the effective Dave was going for, or maybe he just wanted to differentiate himself, but holy crap it's red. It wouldn't be so bad if the content area had a little more contrast between the text and the background — but it doesn't — so the piercing #F00 comes right through and distracts the hell out of me.

To go right along with low-contrast readability, the type on the subsection headers is so incredibly thin that it just disappears into the background. Same with the main header text. Oh well. It just proves that Flash + CSS + XHTML != usable site.

Tuesday, March 09, 2004

Verdana Bold in Panther

Here's an example of what I mentioned previously regarding my troubles with Panther.

For no apparent reason, either Apple (or my system, I have yet to find out which) changed my beloved Verdana Bold's x-height. If you're using Panther, notice how this text is taller than its non-emboldened equiv, "this text". Because the bold version of Verdana is slightly taller than it was in Jaguar, some of my websites need to be tweaked in order for certain navigation elements to stay vertically-centered within their parent element. I can't tweak them though, because I'll be trying to differentiate between Safari in Jaguar and Safari in Panther via CSS, and that technique hasn't been derived yet.

Here is a screen cap from Doug Bowman's site that shows the problem quite nicely:

A screen capture displaying how Verdana Bold has a different x-height than Verdana regular in Mac OS X v10.3, Panther.

I know I'm not going crazy because friends of mine who haven't taken the Panther plunge still display my website (and lots of others) correctly.

Also: I clean installed Panther on my laptop (15" TiBook, 550Mhz, 2nd generation) and I encountered the same problems. Next, I'm going to back all of my stuff up and reinstall Jaguar.